Jaime Lozano, a prolific composer, arranger, music director, orchestrator, and director hailing from Monterrey, Mexico, speaks our Latin truth through musical theater. Jaime earned his BFA in music and composition from the School of Music at the Universidad Autónoma de Nuevo León and was the recipient of a full scholarship to New York University’s Tisch School of the Arts, where he has the distinction of being the first Mexican to be accepted to and earn an MFA from the Graduate Musical Theatre Writing Program.

After working on the film In The Heights as an orchestrator and a short cameo appearance in the film adaptation of “Tick, Tick… Boom!”, he now returns to the stage with his new musical, Desaparecidas, which is playing for a limited engagement at Jack in Brooklyn.

Desaparecidas celebrates the individual lives of women in Mexico, highlighting the challenge of embracing cultural customs while fighting for autonomy in a dangerous world of machismo. Georgina Escobar’s book uses Lozano and Florencia Cuenca’s songs to weave together diverse stories of women from the borderlands—specifically, those who have disappeared. From the missing to the socially invisible to the forgotten, the show takes place in a palenque where the audience will experience an “appearance” of the stories of the missing, along with some from the audience picked out of a raffle drum by our narrator, a famous (and deceased) Mexican singer referred to as “La Jenni”, according to the Latino Rebels.

The Latino Rebels interviewed Jaime Lozano about the show and his work.  The following excerpts from this interview:

- What was the main inspiration behind Desaparecidas?

Florencia and I come from two strong matriarchal families. Strong and amazing women raised us; they have been our inspiration and our strength. Women are a very important part of my work.

Florencia’s family is originally from Ciudad Juárez, México, a city where being a woman has really been a challenge. Back in the ’90s, that city was seen by the eyes of the world for the very unfortunate reason of its terrible femicides. For this specific show, we felt the responsibility to tell the stories to honor all these women—the Desaparecidas.

But even though this was the genesis of the project, we didn’t want to focus on the death but celebrate the lives, celebrate women and their fight. I am blessed to be an ally telling these stories, and I have been learning a lot from my wife Florencia Cuenca, who has been co-writing lyrics with me and our amazing book writer Georgina Escobar, who is actually from Ciudad Juárez.

We are very passionate about our stories, our people, our community. We love our country, our home México. We only want to own and to tell our stories in the most honest and respectful way, from our hearts. And I strongly believe that by doing it in this way, the audience is going to connect with it in some way.

- Why is the narrator a fictionalized Jenni Rivera?

Jenni Rivera is a very famous Mexican-American singer who took a music style usually dominated by men —regional Mexican music, norteño music, corridos, narcocorridos, etc.— and made it hers. But also, her personal life wasn’t easier. Unfortunately, she was also a victim of this machista society. We decided to use this strong female figure as our MC or narrator. She is the one putting all the stories together and leading during the evening.

- Through the musical’s characters and stories, what solutions, if any, are presented to combat the dangers of machismo?

It would be very pretentious to say a play, or a musical, can give any solutions to any issue. We are telling a story. We are being as honest as we can be.

The songs are based on interviews with women from Ciudad Juárez close to this subject. We are honoring them. We are celebrating them.

As storytellers, our mission is to tell those stories that need to be heard.

- For those who do not know, please explain what is a palenque and what the significance  of this setting is in the show.

 The show is set in a palenque —a Mexican state fair or rodeo— a place where people from all backgrounds gather to see a show that can include cockfighting and a concert. Ideally it would be performed in a theater-in-the-round, but for this production we have the audience at the sides.

It is a very intimate and kind of immersive show, very influenced by Mexican culture, literature, and music. All the songs are completely in Spanish but for the book, the scenes are in English—and sometimes in Spanglish. It is an experiment.

- You have an incredible body of work, mainly focused on the immigrant Mexican experience. What is your primary goal as an artist telling these socially conscious stories?

I believe the first rule for writing should be honesty, so I write about what is close to me—about myself, about my familia, about my paisanos, about my community. It is my responsibility to find space for our stories and our people.

“Desaparecidas is a musical with music & lyrics by Jaime Lozano and lyrics by Florencia Cuenca, book by Georgina Escobar, and originally conceived by Jaime Lozano, Florencia Cuenca, and Rachel M. Stevens. Cuenca directs and also stars as La Jenni, with choreography by Gabriela García and music direction by Jhoely Garay”.